An estranged father, Eamonn, and his son, Sean, meet up after 15 years at a café in London to heal old wounds.

影片讲了一对疏离父子15年后在伦敦一个咖啡馆再次相见并相互宽宥的故事。

Cast in a green light, a long corridor seems never-ending in sight. Jun-sang faces multiple rooms in this long corridor, meeting various and bizarre people from door to door.

After the recent loss of her son Sean, Patty Addison devotes herself to finding homes for needy children. The loss of their son has strained Patty's relationship with her husband Mark, but they reconnect emotionally when they take in Emily, a 9-year-old orphaned in a car accident similar to the one that killed Sean. At the same time Dr. Nathan Andrews is trying to find the parents of a boy who died in the ER, and Mark is trying to help one of his son's friends.

In darkest corners of the darknet, there are places where victims are held captive, psychologically tortured, live-streamed, then given a chance to escape if they confess their worst sins, preserving them online for eternity in Red Rooms.

The Spectre of Hope is based on the latest work of photographer Sebastiao Salgado. Salgado spent 6 years traveling to over 40 countries, taking pictures of globalization and its consequences - most notably, the mass migrations of populations around the world. In the film, Salgado presents his remarkable photographs in conversation with John Berger.

An old couple, their only son, the son's wife, a young man and his lover live peacefully in a village. Then, a terrifying earthquake strikes that causes a nearby nuclear station to explode. The residents must evacuate, but the family lives on a farm, with only half of the area designated as an evacuation area.

The most problematic aspect of Zsolt Kézdi-Kovács's films is the political motif of The Right to Hope, which is incomprehensible from a child's point of view and therefore disrupts the unified soul. The film works just as well without it, and it really works without the element of logical incoherence it introduces into the story. All of this highlights a directorial virtue that was rare in this period. Zsolt Kézdi-Kovács is able to dramatise personal conflicts that arise purely from within.

Chronicles the experiences of four immigrant families as they experience the Lower East Side of New York during the early twentieth century.

Virtual reality creator Hiyu is facing kidney failure. His online friend Photographotter travels from New York City to Stockholm to be a live donor to Hiyu.